Current Module



 

Hand Land


Extension Two: Hand Land 2

Extension 1: What is in the watershed?

Overview
After students experience the general characteristics of a watershed, they look at a local watershed map and describe the major land use elements in a watershed

 

Objectives
Students will describe the physical terrain of a local watershed. Potential Homework assignment.

 

Materials Click to enlarge
  • A USGS (United State Geographical Survey) map which includes watershed boundary line,
    topographical information, streets and municipalities. (right)
  • One large map or overhead projection.
  • Smaller map handouts for each child.
Lesson Plan

Class Setting
Teacher works from the front of the classroom and students are primarily seated. Casual discussion and assistance is encouraged once the activity begins.

Script of Class Interaction
Lecture: Cities are made up of many different kinds of places which we can recognize on a map. What do the children recognize?
Display materials: (overheads, maps, models etc)

Activity Description
Teacher shows the large map and explains the map's symbolic key. Identify 3-4 familiar landmarks. Then asks them to identify some landmarks that they might know. This gets marked on her map. Assignment: Students are asked to identify 5 areas they know on the map; schools, homes, parks, freeways, railroads, playgrounds, shopping areas, streams, etc.

What is in the Watershed?
How big is the watershed?
How many towns do you recognize in the watershed?
Is the area mostly homes, factories, business, farms, or forest?
How do you describe the watershed?

 

Wrap-up
Present them with a map from a more rural town. Ask them to take it home and see if they can identify 3-4 familiar landmarks on that map. Is it mostly homes, factories, business, farms or forest?

Extension One: What is in the Watershed?

Extension 2: Hand Land 2
  click to enlarge

Overview
Hand Land 2 focuses on topographical representation. In order to represent the high and low areas of a watershed accurately the students practice graduating tones of color using watercolor paints. Areas most saturated with color will represent the lowest elevations, areas more saturated with water will represent the highest elevations.

 

Objective
Students use contour lines and gradation to create a watercolor painting version of the topographical map of their Hand-Land.

 

Materials
Kozo or Sumi-e paper
Primary colors of water color paints

(yellow, cyan, magenta)

Brush

Water

Lesson Plan

Class Setting
Each student is supplied with paper, primary colors, a brush and water. The teacher outlines the process then guides them in their work.

Script of class interaction
The teacher prepares some water color paintings from at least two different cultural backgrounds. If possible the images should present water/landscape imagery. Display materials: Slides or overheads of watercolor paintings and techniques.

Example #1
Example #2



Activity Description
Show some watercolor paintings, and explain how watercolor paint is used. Explain how we use and combine primary colors. Provide a specific demonstration of gradation painting. (Illustrate how to use paint to create a gradation of light to dark tones, by varying the amount of pigment in relationship to water.)

 

Caitlin McCalla

Activity 1: Understanding the process
  • Wet Kozo or Sumi-e paper with a large watercolor brush and water.
  • Select one color and touch a drop of the watercolor to the wet area.
  • Observe the flow of the watercolor into the wet area of the paper.
  • Saturate your brush with one color paint.
  • Pull the saturated brush across parallel
    lines of the wet paper, as the brush runs
    out of color dip it into water, and continue the process. Notice how the color becomes lighter as it loses pigment.

    Haley Josephs

  • Practice graduating the tones of one watercolor from its darkest or most saturated color to its lightest or least saturated pigment. Learn to regulate the amount of water and pigment to control the gradation.
  • Share the students' process when they are painting.
 
Activity 2: Investigation and discovery with water color
Application of graduated watercolor pigment watercolor pigment to Hand Drawing
  • Observe the original Hand Land drawing (Hand Land 1) you made with concentric patterns of its outline.
  • Locate the highest areas within your drawing and the lowest areas of the topography.
  • Wet the drawing of the hand on Kozo or Sumi-e paper with a large watercolor brush and water.
  • Selectone or at the most two color(s) and touch a drop of the watercolor to the wet area. 
  • Control the watercolor by painting each concentric shape with a specific graduated tone of color until the entire drawing represents several "watersheds" with varying topographies.
  • Repeat this process until you have mastered the effect.
  • Paint a Hand-Land.
    Lenise Bailey Robin Scheines

 

Activity 3: Evaluation and Wrap-up
  • Share the students' works when they are finished painting.
  • Ask students to write a brief description (3-4 sentences) about the gradation painting.

Were they surprised in the way the color moved?
Does the way water moves on a paper have anything to do with the way rain moves over land?

 

Haley Josephs

Which of the two art-works is more interesting?
Which of the two tell us more about watersheds?
Which of the two is the most beautiful?


Prerequisites

Students have already experienced painting gradation.
Students are familiar with using watercolor paint.

Art Themes

Using gradation to describe high and low points as a two-dimensional graphical representation.